Play · 1903

On Baile's Strand

29 min

Scene: A great hall by the sea close to Dundalgan. There are two great chairs on either side of the hall, each raised a little from the ground, and on the back of the one chair is carved and painted a woman with a fish’s tail, and on the back of the other a hound. There are smaller chairs and benches raised in tiers round the walls. There is a great ale vat at one side near a small door, and a large door at the back through which one can see the sea. Barach, a tall thin man with long ragged hair, dressed in skins, comes in at the side door. He is leading Fintain, a fat blind man, who is somewhat older.

Barach

I will shut the door, for this wind out of the sea gets into my bones, and if I leave but an inch for the wind there is one like a flake of sea-frost that might come into the house.

Fintain

What is his name, fool?

Barach

It’s a woman from among the Riders of the Sidhe. It’s Boann herself from the river. She has left the Dagda’s bed, and gone through the salt of the sea and up here to the strand of Baile, and all for love of me. Let her keep her husband’s bed, for she’ll have none of me. Nobody knows how lecherous these goddesses are. I see her in every kind of shape but oftener than not she’s in the wind and cries “give a kiss and put your arms about me.” But no, she’ll have no more of me. Yesterday when I put out my lips to kiss her, there was nothing there but the wind. She’s bad, Fintain. O, she’s bad. I had better shut the big door too.

He is going towards the big door but turns hearing Fintain’s voice.

Fintain

Who has been feeling about with his stick. What’s this and this?

Barach

They are chairs.

Fintain

And this?

Barach

Why, that’s a bench.

Fintain

And this?

Barach

A big chair.

Fintain

Feeling the back of the chair. There is a sea-woman carved upon it.

Barach

And there is another big chair on the other side of the hall.

Fintain

Lead me to it. He mutters while the fool is leading him. That is what the High King Concobar has on his shield. The High King will be coming. They have brought out his chair. He begins feeling the back of the other chair. And there is a dog’s head on this. They have brought out our master’s chair. Now I know what the horse-boys were talking about. We must not stay here. The Kings are going to meet here. Now that Concobar and our master, that is his chief man, have put down all the enemies of Ullad, they are going to build up Emain again. They are going to talk over their plans for building it. Were you ever in Concobar’s town before it was burnt? O, he is a great King, for though Emain was burnt down, every war had made him richer. He has gold and silver dishes, and chessboards and candlesticks made of precious stones. Fool, have they taken the top from the ale vat?

Barach

They have.

Fintain

Then bring me a horn of ale quickly, for the Kings will be here in a minute. Now I can listen. Tell me what you saw this morning?

Barach

About the young man and the fighting?

Fintain

Yes.

Barach

And after that we can go and eat the fowl, for I am hungry.

Fintain

Time enough, time enough. You’re in as great a hurry as when you brought me to Aine’s Seat, where the mad dogs gather when the moon’s at the full. Go on with your story.

Barach

I was creeping under a ditch, with the fowl in my leather bag, keeping to the shore where the farmer could not see me, when I came upon a ship drawn up upon the sands, a great red ship with a woman’s head upon it.

Fintain

A ship out of Aoife’s country. They have all a woman’s head on the bow.

Barach

There was a young man with a pale face and red hair standing beside it. Some of our people came up whose turn it was to guard the shore. I heard them ask the young man his name. He said he was under bonds not to tell it. Then words came between them, and they fought, and the young man killed half of them, and the others ran away.

Fintain

It matters nothing to us, but he has come at last.

Barach

Who has come?

Fintain

I know who that young man is. There is not another like him in the world. I saw him when I had my eyesight.

Barach

You saw him?

Fintain

I used to be in Aoife’s country when I had my eyesight.

Barach

That was before you went on shipboard and were blinded for putting a curse on the wind?

Fintain

Queen Aoife had a son that was red haired and pale faced like herself, and everyone said that he would kill Cuchullain some day, but I would not have that spoken of.

Barach

Nobody could do that. Who was his father?

Fintain

Nobody but Aoife knew that, not even he himself.

Barach

Not even he himself! Was Aoife a goddess and lecherous?

Fintain

I overheard her telling that she never had but one lover, and that he was the only man who overcame her in battle. There were some who thought him one of the Riders of the Sidhe, because the child was great of limb and strong beyond others. The child was begotten over the mountains; but come nearer and I will tell you something.

Barach

You have thought something?

Fintain

When I hear the young girls talking about the colour of Cuchullain’s eyes, and how they have seven colours, I have thought about it. That young man has Aoife’s face and hair, but he has Cuchullain’s eyes.

Barach

How can he have Cuchullain’s eyes?

Fintain

He is Cuchullain’s son.

Barach

And his mother has sent him hither to fight his father.

Fintain

It is all quite plain. Cuchullain went into Aoife’s country when he was a young man that he might learn skill in arms, and there he became Aoife’s lover.

Barach

And now she hates him because he went away, and has sent the son to kill the father. I knew she was a goddess.

Fintain

And she never told him who his father was, that he might do it. I have thought it all out, fool. I know a great many things because I listen when nobody is noticing and I keep my wits awake. What ails you now?

Barach

I have remembered that I am hungry.

Fintain

Well, forget it again, and I will tell you about Aoife’s country. It is full of wonders. There are a great many Queens there who can change themselves into wolves and into swine and into white hares, and when they are in their own shapes they are stronger than almost any man; and there are young men there who have cat’s eyes and if a bird chirrup or a mouse squeak they cannot keep them shut, even though it is bedtime and they sleepy; and listen, for this is a great wonder, a very great wonder: there is a long narrow bridge, and when anybody goes to cross it, that the Queens do not like, it flies up as this bench would if you were to sit on the end of it. Everybody who goes there to learn skill in arms has to cross it. It was in that country too that Cuchullain got his spear made out of dragon bones. There were two dragons fighting in the foam of the sea, and their grandam was the moon, and nine Queens came along the shore.

Barach

I won’t listen to your story.

Fintain

It is a very wonderful story. Wait till you hear what the nine Queens did. Their right hands were all made of silver.

Barach

No, I will have my dinner first. You have eaten the fowl I left in front of the fire. The last time you sent me to steal something you made me forget all about it till you had eaten it up.

Fintain

No, there is plenty for us both.

Barach

Come with me where it is.

Fintain

Who is being led towards the door at the back by Barach. O, it is all right, it is in a safe place.

Barach

It is a fine fowl. It was the biggest in the yard.

Fintain

It had a good smell, but I hope that the wild dogs have not smelt it. Voices are heard outside the door at the side. Here is our master. Let us stay and talk with him. Perhaps Cuchullain will give you a new cap with a feather. He told me that he would give you a new cap with a feather, a feather with an eye that looks at you, a peacock’s feather.

Barach

No, no.

He begins pulling Fintain towards the door.

Fintain

If you do not get it now, you may never get it, for the young man may kill him.

Barach

No, no, I am hungry. What a head you have, blind man! Who but you would have remembered that the hen-wife slept for a little at noon every day!

Fintain

Who is being led along very slowly and unwillingly. Yes, I have a good head. The fowl should be done just right, but one never knows when a wild dog may come out of the woods.

They go out through the big door at the back. As they go out Cuchullain and certain Young Kings come in at the side door. Cuchullain, though still young, is a good deal older than the others. They are all very gaily dressed, and have their hair fastened with balls of gold. The young men crowd about Cuchullain with wondering attention.

First Young King

You have hurled that stone beyond our utmost markTime after time, but yet you are not weary.

Second Young King

He has slept on the bare ground of Fuad’s HillThis week past, waiting for the bulls and the deer.

Cuchullain

Well, why should I be weary?

First Young King

It is certainHis father was the god who wheels the sun,And not King Sualtam.

Third Young King

To a Young King who is beside him. He came in the dawn,And folded Dectara in a sudden fire.

Fourth Young King

And yet the mother’s half might well grow weary,And it new come from labours over sea.

Third Young King

He has been on islands walled about with silver,And fought with giants.

They gather about the ale vat and begin to drink.

Cuchullain

Who was it that went out?

Third Young King

As we came in?

Cuchullain

Yes.

Third Young King

Barach and blind Fintain.

Cuchullain

They always flock together; the blind manHas need of the fool’s eyesight and strong body,While the poor fool has need of the other’s wit,And night and day is up to his ears in mischiefThat the blind man imagines. There’s no hen-yardBut clucks and cackles when he passes byAs if he’d been a fox. If I’d that ballThat’s in your hair and the big stone again,I’d keep them tossing, though the one is heavyAnd the other light in the hand. A trick I learntWhen I was learning arms in Aoife’s country.

First Young King

What kind of woman was that Aoife?

Cuchullain

Comely.

First Young King

But I have heard that she was never married,And yet that’s natural, for I have never knownA fighting woman, but made her favours cheap,Or mocked at love till she grew sandy dry.

Cuchullain

What manner of woman do you like the best?A gentle or a fierce?

First Young King

A gentle, surely.

Cuchullain

I think that a fierce woman’s better, a womanThat breaks away when you have thought her won,For I’d be fed and hungry at one time.I think that all deep passion is but a kissIn the mid battle, and a difficult peace’Twixt oil and water, candles and dark night,Hill-side and hollow, the hot-footed sun,And the cold sliding slippery-footed moon,A brief forgiveness between oppositesThat have been hatreds for three times the ageOf this long ’stablished ground. Here’s Concobar;So I’ll be done, but keep beside me still,For while he talks of hammered bronze and asksWhat wood is best for building, we can talkOf a fierce woman.

Concobar, a man much older than Cuchullain, has come in through the great door at the back. He has many Kings about him. One of these Kings, Daire, a stout old man, is somewhat drunk.

Concobar

To one of those about him. Has the ship gone yet?We have need of more bronze workers, and that shipI sent to Africa for gold is late.

Cuchullain

I knew their talk.

Concobar

Seeing Cuchullain. You are before us, King.

Cuchullain

So much the better, for I welcome youInto my Muirthemne.

Concobar

But who are these?The odour from their garments when they stirIs like a wind out of an apple garden.

Cuchullain

My swordsmen and harp players and fine dancers,My bosom friends.

Concobar

I should have thought, Cuchullain,My graver company would better matchYour greatness and your years; but I waste breathIn harping on that tale.

Cuchullain

You do, great King.Because their youth is the kind wandering waveThat carries me about the world; and if it sank,My sword would lose its lightness.

Concobar

Yet, Cuchullain,Emain should be the foremost town of the world.

Cuchullain

It is the foremost town.

Concobar

No, no, it’s not.Nothing but men can make towns great, and he,The one over-topping man that’s in the world,Keeps far away.

Daire

He will not hear you, King,And we old men had best keep companyWith one another. I’ll fill the horn for you.

Concobar

I will not drink, old fool. You have drunk a hornAt every door we came to.

Daire

You’d better drink,For old men light upon their youth againIn the brown ale. When I have drunk enough,I am like Cuchullain as one pea another,And live like a bird’s flight from tree to tree.

Concobar

We’ll to our chairs for we have much to talk of,And we have Ullad and Muirthemne, and hereIs Conall Muirthemne in the nick of time.

He goes to the back of stage to welcome a company of Kings who come in through the great door. The other Kings gradually get into their places. Cuchullain sits in his great chair with certain of the young men standing around him. Others of the young men, however, remain with Daire at the ale vat. Daire holds out the horn of ale to one or two of the older Kings as they pass him going to their places. They pass him by, most of them silently refusing.

Daire

Will you not drink?

An Old King

Not till the council’s over.

A Young King

But I’ll drink, Daire.

Another Young King

Fill me a horn too, Daire.

Another Young King

If I’d drunk half that you have drunk to-day,I’d be upon all fours.

Daire

That would be naturalWhen Mother Earth had given you this good milkFrom her great breasts.

Cuchullain

To one of the Young Kings beside him.

One is content awhileWith a soft warm woman who folds up our livesIn silky network. Then, one knows not why,But one’s away after a flinty heart.

The Young King

How long can the net keep us?

Cuchullain

All our livesIf there are children, and a dozen moonsIf there are none, because a growing childHas so much need of watching it can makeA passion that’s as changeable as the seaChange till it holds the wide earth to its heart.At least I have heard a father say it, but IBeing childless do not know it. Come nearer yet;Though he is ringing that old silver rodWe’ll have our own talk out. They cannot hear us.

Concobar who is now seated in his great chair, opposite Cuchullain, beats upon the pillar of the house that is nearest to him with a rod of silver, till the Kings have become silent. Cuchullain alone continues to talk in a low voice to those about him, but not so loud as to disturb the silence. Concobar rises and speaks standing.

Concobar

I have called you hither, Kings of Ullad, and KingsOf Muirthemne and Connall Muirthemne,And tributary Kings, for now there is peace—It’s time to build up Emain that was burnedAt the outsetting of these wars; for we,Being the foremost men, should have high chairsAnd be much stared at and wondered at, and speakOut of more laughing overflowing heartsThan common men. It is the art of kingsTo make what’s noble nobler in men’s eyesBy wide uplifted roofs, where beaten gold,That’s ruddy with desire, marries pale silverAmong the shadowing beams; and many a timeI would have called you hither to this work,But always, when I’d all but summoned you,Some war or some rebellion would break out.

Daire

Where’s Maine Morgor and old Usnach’s children,And that high-headed even-walking Queen,And many near as great that got their deathBecause you hated peace? I can rememberThe people crying out when Deirdre passedAnd Maine Morgor had a cold gray eye.Well, well, I’ll throw this heel-tap on the ground,For it may be they are thirsty.

A King

Be silent, fool.

Another King

Be silent, Daire.

Concobar

Let him speak his mind.I have no need to be afraid of ghosts,For I have made but necessary wars.I warred to strengthen Emain, or becauseWhen wars are out they marry and begetAnd have their generations like mankindAnd there’s no help for it; but I’m well contentThat they have ended and left the town so great,That its mere name shall be in times to comeLike a great ale vat where the men of the worldShall drink no common ale but the hard will,The unquenchable hope, the friendliness of the sword.

He takes thin boards on which plans have been carved by those about him.

Give me the building plans, and have you writtenThat we—Cuchullain is looking in his shield;It may be the pale riders of the windThrow pictures on it, or that Mananan,His father’s friend and sometime fosterer,Foreknower of all things, has cast a vision,Out of the cold dark of the rich sea,Foretelling Emain’s greatness.

Cuchullain

No, great King,I looked on this out of mere idleness,Imagining a far-off country and oneThat held it with a sword, although a woman.

Concobar

A woman needs but laugh, or a friend sigh,And you’re afar off sounding through the world,While I plan Emain’s greatness.

The sound of a trumpet without.

Open the doors!I hear a herald’s trumpet, and await,It may be, the heavy fleeces of the seaAnd golden and silver apples or ancient crownsLong hidden in the well at the World’s End,Or glittering garments of the salmon, tributesFrom the Great Plain, or the high people of Sorcha,Or the walled garden in the east of the world.

The great door at the back is flung open; a Young Man, who is fully armed and carries a shield with a woman’s head painted on it, stands upon the threshold. Behind him are trumpeters. He walks into the centre of the hall, the trumpeting ceases.

What is your message?

Young Man

I am of Aoife’s army.

First King

Queen Aoife and her army have fallen upon us.

Second King

Out swords! Out swords!

Third King

They are about the house.

Fourth King

Rush out! Rush out! Before they have fired the thatch.

Young Man

Aoife is far away. I am alone.I have come alone in the midst of youTo weigh this sword against Cuchullain’s sword.

There is a murmur amongst the Kings.

Concobar

And are you noble? for if of common seedYou cannot weigh your sword against his swordBut in mixed battle.

Young Man

I am under bondsTo tell my name to no man, but it’s noble.

Concobar

But I would know your name and not your bonds.You cannot speak in the Assembly HouseIf you are not noble.

A King

Answer the High King.

Young Man

Drawing his sword. I will give no other proof than the hawk givesThat it’s no sparrow.

He is silent a moment, then speaks to all.

Yet look upon me, Kings;I too am of that ancient seed and carryThe signs about this body and in these bones.

Cuchullain

To have shown the hawk’s gray feather is enough,And you speak highly too.

Cuchullain comes down from his great chair. He remains standing on the steps of the chair. The Young Kings gather about him and begin to arm him.

Give me that helmet!I’d thought they had grown weary sending champions.That leathern coat will do. The High King thereBeing old in wisdom can think of times to come,But the hawk’s sleepy till its well-belovedCries out amid the acorns, or it has seenIts enemy like a speck upon the sun.What’s Emain to the hawk when that clear eyeIs burning nearer up in the high air?That buckle should be tighter. Give me your shield.There is good level ground at Baile’s Yew-tree,Some dozen yards from here, and it’s but truthThat I am sad to-day and this fight welcome.

He looks hard at the Young Man, and then steps down on the floor of the Assembly House. He grasps the Young Man by the shoulder.

Hither into the light.

Turning to one of the Young Kings.

The very tintOf her that I was speaking of but now:Not a pin’s difference.

To the Young Man.

You are from the North,Where there are many that have that tint of hair,Red-brown, the light red-brown. Come nearer, boy!For I would have another look at you.There’s more likeness, a pale, a stone pale cheek.What brought you, boy? Have you no fear of death?

Young Man

Whether I live or die is in the Gods’ hands.

Cuchullain

That is all words, all words, a young man’s talk;I am their plough, their harrow, their very strength,For he that’s in the sun begot this bodyUpon a mortal woman, and I have heard tellIt seemed as if he had outrun the moon,That he must always follow through waste heaven,He loved so happily. He’ll be but slowTo break a tree that was so sweetly planted.Let’s see that arm; I’ll see it if I like.That arm had a good father and a good mother,But it is not like this.

Young Man

You are mocking me.You think I am not worthy to be fought,But I’ll not wrangle but with this talkative knife.

Cuchullain

Put up your sword, I am not mocking you.I’d have you for my friend, but if it’s notBecause you have a hot heart and a cold eyeI cannot tell the reason. You’ve got her fierceness,And nobody is as fierce as those pale women.

To the Young Kings.

We’ll keep him here in Muirthemne awhile.

A Young King

You are the leader of our pack and thereforeMay cry what you will.

Cuchullain

You’ll stop with usAnd we will hunt the deer and the wild bulls,And, when we have grown weary, light our firesIn sandy places where the wool-white foamIs murmuring and breaking, and it may beThat long-haired women will come out of the dunesTo dance in the yellow fire-light. You hang your head,Young man, as if it was not a good life;And yet what’s better than to hurl the spear,And hear the long-remembering harp, and dance?Friendship grows quicker in the murmuring dark;But I can see there’s no more need for wordsAnd that you’ll be my friend now.

First Old King

Concobar,Forbid their friendship, for it will get twistedTo a reproach against us.

Concobar

Until nowI’d never need to cry Cuchullain onAnd would not now.

First Old King

They’ll say his manhood’s quenched.

Cuchullain

I’ll give you gifts, but I’ll have something too,An arm-ring or the like, and if you willWe’ll fight it out when you are older, boy.

An Old King

Aoife will make some story out of this.

Cuchullain

Well, well, what matter, I’ll have that arm-ring, boy.

Young Man

There is no man I’d sooner have my friendThan you whose name has gone about the worldAs if it had been the wind, but Aoife’d sayI had turned coward.

Cuchullain

I’ll give you giftsThat Aoife’ll know and all her people knowTo have been my gifts. Mananan, son of the sea,Gave me this heavy embroidered cloak. Nine QueensOf the Land-under-Wave had woven itOut of the fleeces of the sea. O! tell herI was afraid, or tell her what you will.No! tell her that I heard a raven croakOn the north side of the house and was afraid.

An Old King

Some witch of the air has troubled Cuchullain’s mind.

Cuchullain

No witchcraft, his head is like a woman’s headI had a fancy for.

Second Old King

A witch of the airCan make a leaf confound us with memories.They have gone to school to learn the trick of it.

Cuchullain

But there’s no trick in this. That arm-ring, boy.

Third Old King

He shall not go unfought, I’ll fight with him.

Fourth Old King

No! I will fight with him.

First Old King

I claim the fight,For when we sent an army to her land——

Second Old King

I claim the fight, for one of Aoife’s galleysStole my great cauldron and a herd of pigs.

Third Old King

No, no, I claim it, for at Lammas’ time——

Cuchullain

Back! Back! Put up your swords! Put up your swords!There’s none alive that shall accept a challengeI have refused. Laegaire, put up your sword.

Young Man

No, let them come, let any three together.If they’ve a mind to, I’ll try it out with four.

Cuchullain

That’s spoken as I’d spoken it at your age,But you are in my house. Whatever manWould fight with you shall fight it out with me.They’re dumb. They’re dumb. How many of you would meet

Drawing his sword.

This mutterer, this old whistler, this sandpiper,This edge that’s grayer than the tide, this mouseThat’s gnawing at the timbers of the world,This, this—Boy, I would meet them all in armsIf I’d a son like you. He would avenge meWhen I have withstood for the last time the menWhose fathers, brothers, sons, and friends I have killedUpholding Ullad; when the four provincesHave gathered with the ravens over them.But I’d need no avenger. You and IWould scatter them like water from a dish.

Young Man

We’ll stand by one another from this out.Here is the ring.

Cuchullain

No, turn and turn about,But my turn is first, because I am the older.Cliodna embroidered these bird wings, but FandMade all these little golden eyes with the hairsThat she had stolen out of Aengus’ beard,And therefore none that has this cloak about himIs crossed in love. The heavy inlaid broochThat Buan hammered has a merit too.

He begins spreading the cloak out on a bench, showing it to the Young Man. Suddenly Concobar beats with his silver rod on a pillar beside his chair. All turn towards him.

Concobar

In a loud voice. No more of that, I will not have this friendship.Cuchullain is my man and I forbid it;He shall not go unfought for I myself——

Cuchullain

Seizing Concobar. You shall not stir, High King, I’ll hold you there.

Concobar

Witchcraft has maddened you.

The Kings

Shouting. Yes, witchcraft, witchcraft.

A King

You saw another’s head upon his shouldersAll of a sudden, a woman’s head, Cuchullain.Then raised your hand against the King of Ullad.

Cuchullain

Letting Concobar go, and looking wildly about him.

Yes, yes, all of a sudden, all of a sudden.

Daire

Why, there’s no witchcraft in it, I myselfHave made a hundred of these sudden friendshipsAnd fought it out next day. But that was folly,For now that I am old I know it is bestTo live in comfort.

A King

Pull the fool away!

Daire

I’ll throw a heel-tap to the one that dies.

Concobar

Some witch is floating in the air above us.

Cuchullain

Yes, witchcraft, witchcraft and the power of witchcraft.

To the Young Man.

Why did you do it? was it Calatin’s daughters?Out, out, I say, for now it’s sword on sword.

Young Man

But, but, I did not.

Cuchullain

Out, I say, out, out!Sword upon sword.

He goes towards the door at back, followed by Young Man. He turns on the threshold and cries out, looking at the Young Man.

That hair my hands were drowned in!

He goes out, followed by Young Man. The other Kings begin to follow them out.

A King

I saw him fight with Ferdiad.

Second King

We’ll be too late,They’re such a long time getting through the door.

Third King

Run quicker, quicker.

Daire

I was at the Smith’sWhen he that was the boy Setanta then——

Sound, of fighting outside.

Third King

He will have killed him.They have begun the fight!

They all go out, leaving the house silent and empty. There is a pause during which one hears the clashing of the swords. Barach and Fintain come in from side door. Barach is dragging Fintain.

Barach

You have eaten it, you have eaten it, you have left me nothing but the bones.

Fintain

O, that I should have to endure such a plague. O, I ache all over. O, I am pulled in pieces. This is the way you pay me for all the good I have done you!

Barach

You have eaten it, you have told me lies about a wild dog. Nobody has seen a wild dog about the place this twelve month. Lie there till the Kings come. O, I will tell Concobar and Cuchullain and all the Kings about you!

Fintain

What would have happened to you but for me, and you without your wits? If I did not take care of you what would you do for food and warmth?

Barach

You take care of me? You stay safe and send me into every kind of danger. You sent me down the cliff for gull’s eggs while you warmed your blind eyes in the sun. And then you ate all that were good for food. You left me the eggs that were neither egg nor bird. The blind man tries to rise. Barach makes him lie down again. Keep quiet now till I shut the door. There is some noise outside. There are swords crossing; a high vexing noise so that I can’t be listening to myself. He goes to the big door at the back and shuts it. Why can’t they be quiet, why can’t they be quiet! Ah, you would get away, would you? He follows the blind man who has been crawling along the wall and makes him lie down close to the King’s chair. Lie there, lie there. No, you won’t get away. Lie there till the Kings come, I’ll tell them all about you. I shall tell it all. How you sit warming yourself, when you have made me light a fire of sticks, while I sit blowing it with my mouth. Do you not always make me take the windy side of the bush when it blows and the rainy side when it rains?

Fintain

O good fool, listen to me. Think of the care I have taken of you. I have brought you to many a warm hearth, where there was a good welcome for you, but you would not stay there, you were always wandering about.

Barach

The last time you brought me in, it was not I who wandered away, but you that got put out because you took the crubeen out of the pot, when you thought nobody was looking. Keep quiet now, keep quiet till I shut the door. Here is Cuchullain, now you will be beaten. I am going to tell him everything.

Cuchullain

Comes in and says to the fool. Give me that horn.

The fool gives him a horn which Cuchullain fills with ale and drinks.

Fintain

Do not listen to him, listen to me.

Cuchullain

What are you wrangling over?

Barach

He is fat and good for nothing. He has left me the bones and the feathers.

Cuchullain

What feathers?

Barach

I left him turning a fowl at the fire. He ate it all. He left me nothing but the bones and feathers.

Fintain

Do not believe him. You do not know how vain this fool is. I gave him the feathers, because I thought he would like nothing so well.

Barach is sitting on a bench playing with a heap of feathers, which he has taken out of the breast of his coat.

Barach

Singing. When you were an acorn on the tree top——

Fintain

Where would he be but for me? I must be always thinking, thinking to get food for the two of us, and when we’ve got it, if the moon’s at the full or the tide on the turn, he’ll leave the rabbit in its snare till it is full of maggots, or let the trout slip through his hands back into the water.

Barach

Singing. When you were an acorn on the tree top,Then was I an eagle cock;Now that you are a withered old block,Still am I an eagle cock!

Fintain

Listen to him now! That’s the sort of talk I have to put up with, day out day in.

The fool is putting the feathers into his hair. Cuchullain takes a handful of feathers out of the heap and out of the fool’s hair, and begins to wipe the blood from his sword with them.

Barach

He has taken my feathers to wipe his sword. It is blood that he is wiping from his sword!

Fintain

Whose blood? Whose blood?

Cuchullain

That young champion’s.

Fintain

He that came out of Aoife’s country?

Cuchullain

The Kings are standing round his body.

Fintain

Did he fight long?

Cuchullain

He thought to have saved himself with witchcraft.

Barach

That blind man there said he would kill you. He came from Aoife’s country to kill you. That blind man said they had taught him every kind of weapon that he might do it. But I always knew that you would kill him.

Cuchullain

To the blind man. You knew him, then?

Fintain

I saw him when I had my eyes, in Aoife’s country.

Cuchullain

You were in Aoife’s country?

Fintain

I knew him and his mother there.

Cuchullain

He was about to speak of her when he died.

Fintain

He was a Queen’s son.

Cuchullain

What Queen, what Queen? He seizes the blind man. Was it Scathach? There were many Queens. All the rulers were Queens.

Fintain

No, not Scathach.

Cuchullain

It was Uathach, then. Speak, speak!

Fintain

I cannot speak, you are clutching me too tightly. Cuchullain lets him go. I cannot remember who it was. I am not certain. It was some Queen.

Barach

He said a while ago that the young man was Aoife’s son.

Cuchullain

She? No, no, she had no son when I was there.

Barach

That blind man there said that she owned him for her son.

Cuchullain

I had rather he had been some other woman’s son. What father had he? A soldier out of Alba? She was an amorous woman, a proud, pale amorous woman.

Fintain

None knew whose son he was.

Cuchullain

None knew? Did you know, old listener at doors?

Fintain

No, no, I knew nothing.

Barach

He said a while ago that he heard Aoife boast that she’d never but the one lover, and he the only man that had overcome her in battle.

A pause.

Fintain

Somebody is trembling. Why are you trembling, fool? the bench is shaking, why are you trembling? Is Cuchullain going to hurt us? It was not I who told you, Cuchullain.

Barach

It is Cuchullain who is trembling. He is shaking the bench with his knees.

Cuchullain

He was my son, and I have killed my son.

A pause.

’Twas they that did it, the pale windy people,Where, where, where? My sword against the thunder.But no, for they have always been my friends;And though they love to blow a smoking coalTill it’s all flame, the wars they blow aflameAre full of glory, and heart uplifting pride,And not like this; the wars they love awakenOld fingers and the sleepy strings of harps.Who did it then? Are you afraid; speak out,For I have put you under my protectionAnd will reward you well. Dubthach the Chafer.He had an old grudge. No, for he is with Maeve.Laegaire did it. Why do you not speak?What is this house? A pause. Now I remember all.

Fintain

He will kill us. O, I am afraid!

Cuchullain

Who is before Concobar’s chair.

’Twas you who did it, you who sat up thereWith that old branch of silver, like a magpieNursing a stolen spoon. Magpie, magpie,A maggot that is eating up the earth!

Begins hacking at the chair with his sword.

No, but a magpie, for he’s flown away.Where did he fly to?

Fintain

He is outside the door.

Cuchullain

Outside the door?

Fintain

He is under Baile’s yew-tree.

Cuchullain

Concobar, Concobar, the sword into your heart.

He goes out. A pause. The fool goes to the great door at back and looks out after him.

Barach

He is going up to King Concobar; they are all under the tree. No, no, he is standing still. There is a great wave going to break and he is looking at it. Ah! now he is running down to the sea, but he is holding up his sword as if he were going into a fight. A pause. Well struck, well struck!

Fintain

What is he doing now?

Barach

Oh! he is fighting the waves.

Fintain

He sees King Concobar’s crown on every one of them.

Barach

There, he has struck at a big one. He has struck the crown off it, he has made the foam fly. There again another big one.

Shouting without.

Fintain

Where are the Kings? What are the Kings doing?

Barach

They are shouting and running down to the shore, and the people are running out of the houses, they are all running.

Fintain

You say they are running out of the houses, there will be nobody left in the houses. Listen, fool.

Barach

There, he is down! He is up again! He is going out into the deep water.

Fintain

Come here, fool; come here, I say.

Barach

Coming towards him but looking backward towards the door. What is it?

Fintain

There will be nobody in the houses. Come this way, come quickly; the ovens will be full; we will put our hands into the ovens.

They go out.

Text: The King's Threshold: and On Baile's Strand (A. H. Bullen, London, 1904). Public domain.