The People
Listen
Text: Poetry, by W. B. Yeats (Standard Ebooks, 2024), from the collected editions of 1908 to 1928. Public domain.
In brief
SummaryThe poet complains of Dublin's ingratitude, and his phoenix rebukes him.
The poet asks what he has earned for all his work: only the daily spite of an "unmannerly town" where those who serve most are most slandered. He might have lived instead in Renaissance Italy, under the walls of Ferrara or up the steep street of Urbino, where a duchess and her friends talked all night until dawn. His "phoenix" answers with a reproof: when her luck changed, crooks and drunkards, and even people she had served and fed, attacked her, yet she has never complained of the people. He replies that she lives by deed and he by thought. But her words shamed him, and nine years later he still bows his head.
Lines to remember
Where who has served the most is most defamed,
Complained of the people.
Can have the purity of a natural force,
Line by line
Lines 1 to 6What have I earned
The poet's complaint is bitter and specific: "The daily spite of this unmannerly town, / Where who has served the most is most defamed". A whole lifetime's reputation can be lost "Between the night and morning".
Lines 7 to 15Ferrara and Urbino
He imagines another life, in the "green shadow of Ferrara wall" or climbing "the steep street of Urbino" among "The unperturbed and courtly images" of the past. There the duchess and her people talked "The stately midnight through" and watched the dawn from their window.
Lines 16 to 21Choosing his company
In that world every friend could "mix / Courtesy and passion into one". He would have used "the one substantial right / My trade allows": to choose his company and his scenery. The line is both a boast about poetry and a wish to escape Dublin.
Lines 22 to 29The phoenix answers
His "phoenix" replies "in reproof": when her luck turned, "drunkards, pilferers of public funds" and even "Those I had served and some that I had fed" set upon her. Yet she has never "Complained of the people", and that short final line lands like a verdict.
Lines 30 to 35Thought and deed
His defence is careful: she has "not lived in thought but deed" and so has "the purity of a natural force". His virtues belong to "the analytic mind", which cannot close "The eye of the mind" or keep quiet.
Lines 36 to 38Still abashed
The ending admits the argument was lost before it was made. His "heart leaped at her words", and he was ashamed. The repetition of "abashed" carries that shame across "nine years" to the present.
Themes
Artist and public
The poet feels his public service has been repaid with spite: "who has served the most is most defamed". His dream of Urbino, where people mixed "Courtesy and passion", shows what he thinks an audience should be. The poem does not dismiss his grievance, but it tests it against someone who suffered more.
Thought and action
The poem sets two kinds of people side by side. She lives "not in thought but deed" and has "the purity of a natural force"; he lives by "the analytic mind" and cannot stop seeing or speaking. His reply is not an excuse so much as a self-portrait, and it concedes her greater nobility.
Shame and admiration
The last lines turn a quarrel into a confession. Because his "heart leaped at her words", he was "abashed". That both reactions happen at once is the poem's candour about love: he admires her most at the moment she proves him small.
Context
The poem was collected in The Wild Swans at Coole, published by the Cuala Press in 1917. The "unmannerly town" is Dublin, where Yeats had been attacked over the Abbey Theatre and other public causes. The "phoenix" is usually read as Maud Gonne, whom he also calls a phoenix in "His Phoenix". Her reproof is usually connected with the hostility she met in Dublin after her marriage to John MacBride broke down.
Ferrara and Urbino were courts of Renaissance Italy that Yeats admired as places where rulers, artists and poets lived together. The talk at Urbino that lasted until dawn is the setting of Castiglione's The Book of the Courtier, where the duchess presides over conversations about the ideal courtier.
Form
Blank verse, unrhymed lines of five beats, laid out as a dialogue: the poet's long speech, the phoenix's shorter reply, and his answer in a second verse paragraph. The poet's speech is one long, winding sentence of what he "might have" done, while the phoenix speaks in plainer, harder lines.

